摘要
高老庄无疑是丑的,作品揭示的丑是真实的生活的丑。作家笔下的高老庄绝不是某个行政地域,它透视着整个中国。作为艺术丑的高老庄并没有远离美,而是在丑的自我否定中升华出美。在丑的背后、作品的深层、作家的心灵深处,蕴含着作家对现实人生的真实追求和终极关怀。
The theory of appreciation of ugliness in western modernist school refers to that ugliness is part of beauty when concerning typical image in works of art. By applying to this, this article makes a textual analysis of JIA Pingwa's representative work Gao Lao Zhuang. In the article, it centers on 'Gao Lao Zhuang' and makes a precise and overall description of ugliness, from which we can see ugliness in Gao Lao Zhuang actually contains the esthetic perspective.
出处
《淮阴师范学院学报(哲学社会科学版)》
2004年第6期811-814,共4页
Journal of Huaiyin Teachers College(Social Sciences Edition)
关键词
典型形象
审丑
审美
高老庄
typical image
appreciation of ugliness
appreciation of beauty