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美国自白诗:选择“开放” 被引量:5

On American Confessional Poetry
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摘要 自白派诗人表现的是大多数人本能地不愿暴露的生活更私人的方面、经验更私人的领域 ,他们直接使用经验的素材 ,进行令人心碎的自我分析 ,让心灵“忏悔”,发掘精神折磨的底层。他们把诗歌的重心从形式转移到“经验”,使诗歌成为一种“开放”的艺术。
作者 彭予
出处 《外国文学研究》 北大核心 2001年第1期25-32,共8页 Foreign Literature Studies
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  • 1S.G. Axelrod and Helen Deese, eds, Robert Lowell: Essays on the Poetry ( Cambridge: Cambridge University Press, 1986), p. 70.
  • 2Stephen Spender, "Robert Lowell's Family Album, "New Republic (8 June 1959), p. 17.
  • 3Charles Altieri, "From Symbolist Thought to Immanence: The Ground of Postmodern American Poetics, "Boundary, vol. 1(Spring 1973), p. 615.
  • 4Theodore Roethke," On Identity, "in On the Poet and His Craft: Selected Prose of Theodore Roethke, ed. Ralph J. Mills, Jr. ( Seattle: The University of Washington Press, 1965), p. 21.
  • 5W.D. Snodgrass, "Poetry Since Yeats: An Exchange of Views," TriQuarterly (4,1965), pp. 101-102.
  • 6W.D. Snodgrass, "Finding a Poem," Partisan Review ( Spring 1959), p. 283.
  • 7Jay Martin, Robert Lowell ( Minneapolis : The University of Minnesota Press, 1970), p. 35.
  • 8See Ian Hamilton, Robert Lowell:A Biography (New York: Vintage Books, 1983), p. 35.
  • 9Richard Eberhart, "A Poet's People," New York Times Book Review (3 May 1959), p. 4.
  • 10M.L. Rosenthal, "Poetry as Confession", Nation (19 September 1959), p. 154.

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