摘要
运用新修辞叙事理论把《阿Q正传》剖成阿 Q的故事、“我”的故事、鲁迅的故事等三个层面的重新解读,引爆了鲁迅小说巨大的叙事魔力。小说运用精心的叙事策略,不仅完成了对阿 Q的批判,而且把民初和“五四”的两代“看客”同时押上了“审判台”,凸显了《阿Q正传》文本的多层批判视角。
By employing new rhetoric narrative theory we anatomize AQ into AQ’s story, “my” story and Lu Xun’s story to reveal the fiction's narrative charm. Adopting skillful narrative strategies, AQ not only accomplishes criticizing the protagonist, but also puts the “senseless spectators” in both early Republic of China and the May 4th period to a interrogated place. This reinterpretation stresses that there are multi-layer critical spaces in the text.
出处
《辽宁师范大学学报(社会科学版)》
2005年第1期102-105,共4页
Journal of Liaoning Normal University(Social Science Edition)