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论古代诗人孤独体验的审美范式 被引量:2

On Paradigm of Aesthetic Appreciation Through Solitary Experience of the Ancient Poets
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摘要 古代诗人孤独体验与诗人追求艺术独创性有密切关系,孤独与独创是一对孪生姐妹。诗人面对世俗合群观念的挑战,之间的二律背反具有特殊的审美范式。孤独体验并非冷血类,他们恰恰都是热爱生活的艺术家,他们以移情的审美范式表达人情美,移情自然表现独有的创作个性。孤独体验促使他们将触须伸向无限时空,从中寻找超脱,在更深更理性的层面上认识人生社会,时空合理转换展现内在丰富的美感质素。 The solitary experience of ancient poets was closely related to their pursuit of the original artistic creation. Original creation and lonely solitude are interdependent. Confronted with the challenge of the worldly gregariousness, the poets attempted to seek the unique paradigm of artistic creation which embodied the characteristics of antinomy. These poets were by no means cold - blooded; on the contrary, they were artists who dearly enjoyed life. They convey the beauty of human sympathy through the paradigm of transferred epithets; they show their special creative personality by transferring their emotions to nature. Their solitary experience urges them to extend their views into the boundless space and make effort to find the unconventional so as to discern and understand the human society deeply and rationally. The reasonable change of time and space displays the abundant inherent aesthetic feelings.
作者 钱剑平
出处 《上海师范大学学报(哲学社会科学版)》 2004年第6期71-75,共5页 Journal of Shanghai Normal University(Philosophy & Social Sciences Edition)
关键词 古代 诗人 孤独体验 审美范式 诗歌 艺术独创 solitary creation,transferring emotions to nature, worldly gregariousness, blending of time and space
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  • 1[2]马斯洛.自我实现与人格成熟[M].台北:光启出版社,1987.
  • 2弗里德曼.社会心理学[M].高地等译.哈尔滨:黑龙江人民出版社,1984.
  • 3[8]唐晓明.精神创伤与艺术创作[M].天津:百花文艺出版社,1991.

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