普遍意识:中国美学自我超越的关键环节

Universal Consciousness: Key Joint of Ego Surpass for Chinese Aesthetics

普遍意识缺乏是当前中国美学史研究之突出局限。当代中国美学需走出本民族文化特色守护神角色 ,以人类文化共性为立足点。超越中华审美精神个性 ,以中华审美特殊性材料研究人类审美共同性问题之普遍意识是新世纪中国美学史研究自我超越、深化的关键环节。中国古代有着深厚的自然审美、工艺审美和生活审美传统 ,此正为西方美学之弱项 ,深入、系统地研究此三大传统 ,将大有益于中国美学史和美学基础理论研究 ,亦大有益于当代中国的精神文化建设。

Lack of universal awareness is the prominent shortcoming in the study of the history of Chinese aesthetics at present. The contemporary Chinese aesthetics should walk out of the role as the angel for the features of the national culture, and stand on the commonness of the human culture. To surpass the individuality stink of the Chinese taste, to study the commonness of the human taste with Chinese taste particularity is the key joint to ego-surpass and deepen the study of Chinese aesthetic history in the new era. In the ancient time, China had the traditions for natural taste, craft taste and life taste, which are just the weak items of the western aesthetics. To study deeply and systematically these three traditions will be of great help to the study of Chinese aesthetics history and basic theory of aesthetics as well as the construction of contemporary Chinese spirit and culture.