中国当代筝曲的反叛与回归

Regressing and Improving of Contemporary Zheng

当代筝曲在古筝形制上(普遍仍用21弦S型钢丝尼龙弦筝)、弹奏技巧上(充分挖掘左手技巧)、作曲技法上(学习西方作曲技法)比传统筝曲丰富了许多。但音域更加宽广、技法更加丰富了的现代古筝在题材上、精神气质上却又与传统筝曲不大相同。当代筝曲对于传统筝曲来说。可谓是"形"的上升,"神"的回归。本文分析此现象,并试图子以解释。

Contemporary zheng music is richer in its form, performing techniques and composing skills than traditional one but actually same in subject matter and spirit. Compared with traditional zheng music, modern one has enriched in its form but regressed in spirit. This article attempts to analyze this phenomenon and give a detailed explanation.