结构·解构·重构——解读民间舞和现代舞所呈现的"文本"差异

Construction, Destruction and Restructure--Expounding the "Text" Differences Reflected in Folk and Modern Dance

本文从美学的视角来对舞蹈身体语言进行解读,通过对民间舞"文本"所体现出的"结构"和现代舞"文本"所体现出的"解构"进行细读并加以分析后,对于民间舞和现代舞"文本"的"重构"提出了自己的认识。民间舞得以发展的根基是"族群认同",倡扬的是"人类文明"。而现代舞则是在传统的根基上,"从文明回到自然",注重的不是"类",而是"人",舞蹈更侧重于表现独立的个体生命形态。

This essay expounds the body language of dance from aesthetic viewpoint and presents some understanding on the 'text' 'restructure' of folk and modern dance after a detailed analysis of 'construction' reflected in folk music 'text' and 'destruction' in modern dance 'text' The author holds that the foundation of folk dance, on the initiative of 'human civilization', is 'tribe recognition' while modern dance founded on tradition lays its emphasis on 'person', but not 'group' that is, dance should focus on expressing independent life formation Therefore, the author presents his own understanding of 'modernization in folk music' and 'indigenization in modern dance' in the hope of doing a part in that field.