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九七后科技和人文相结合的香港戏剧

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摘要 九七后的香港戏剧,无论形式和内容,都呈现出科技和人文相结合的态势,这引起了观众审美心理上的一些新的变化。
作者 陆润棠
机构地区 香港中文大学
出处 《戏剧艺术》 CSSCI 北大核心 2005年第1期72-76,共5页 Theatre Arts
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参考文献9

  • 1Arnold Aronson, "Technology and Dramaturgical Development: Five Observations", Theatre Research International, Vol. 24, no. 2pp. 188 - 197.
  • 2A brainchild of Joshua Putnam Peskay,the writer; Jessica Putnam Peskay,an actress in the play who is married to Mr. Peskay.
  • 3Mathew A Peskay,the director and Mr. Peskay' s brother. The play is about unravelling some of the complexities of Internet and technology.
  • 4Erika Fisher-Licht.“Quo Vadis?:Theatre Studies at the Crossroads”,Modern Drama,44:1(Spring 2001),pp.60—63.
  • 5Mice Rayner, "Everywhere and Nowhere Theatre in Cyberspace, "in Of Borders and Thresholds:Theatre History, Practice, and Theory, ed. Michael Kobialka, ( Minnesota: University of Minnesota Press, 1999 ), p. 278.
  • 6W H Auden, The Age of Anxiety , ( New York, 1947 ), p. 44.
  • 7Harold Pinter," Writing for Myself", Twentieth Century, Feb. 1961, pp. 172 - 175.
  • 8Tennessee Williams,Preface to Cat on a Hot Tin Roof, (New York:New Directions, 1951 ) ,Vii.
  • 9Philip Auslander, Liveness : Performance in a Mediatized Culture, ( Routledge, 1999 ). p. 3.

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