九七后科技和人文相结合的香港戏剧
摘要
九七后的香港戏剧,无论形式和内容,都呈现出科技和人文相结合的态势,这引起了观众审美心理上的一些新的变化。
出处
《戏剧艺术》
CSSCI
北大核心
2005年第1期72-76,共5页
Theatre Arts
参考文献9
-
1Arnold Aronson, "Technology and Dramaturgical Development: Five Observations", Theatre Research International, Vol. 24, no. 2pp. 188 - 197.
-
2A brainchild of Joshua Putnam Peskay,the writer; Jessica Putnam Peskay,an actress in the play who is married to Mr. Peskay.
-
3Mathew A Peskay,the director and Mr. Peskay' s brother. The play is about unravelling some of the complexities of Internet and technology.
-
4Erika Fisher-Licht.“Quo Vadis?:Theatre Studies at the Crossroads”,Modern Drama,44:1(Spring 2001),pp.60—63.
-
5Mice Rayner, "Everywhere and Nowhere Theatre in Cyberspace, "in Of Borders and Thresholds:Theatre History, Practice, and Theory, ed. Michael Kobialka, ( Minnesota: University of Minnesota Press, 1999 ), p. 278.
-
6W H Auden, The Age of Anxiety , ( New York, 1947 ), p. 44.
-
7Harold Pinter," Writing for Myself", Twentieth Century, Feb. 1961, pp. 172 - 175.
-
8Tennessee Williams,Preface to Cat on a Hot Tin Roof, (New York:New Directions, 1951 ) ,Vii.
-
9Philip Auslander, Liveness : Performance in a Mediatized Culture, ( Routledge, 1999 ). p. 3.
-
1二00八年香港戏剧巡礼[J].中国戏剧,2009(3).
-
2胡珺.香港戏剧发展进程中的《城寨风情》[J].云南艺术学院学报,2015(3):68-73.
-
3邓彦睿.浅谈中国歌剧发展的历程、基本特征与演唱技巧[J].文艺生活(下旬刊),2015,0(3):98-99. 被引量:2
-
4董琳钰.论冯小刚电影的“媚俗”与“脱俗”[J].湖南大众传媒职业技术学院学报,2016,16(4):32-34.
-
5赵曼.京剧独特的艺术特色[J].通俗歌曲,2016,0(4X):198-198.
-
6胡薇.话剧:欢歌之下的危机[J].世界知识,2007(10):65-65.
-
7田本相.一位具有传奇色彩的华文女戏剧家——陈尹莹[J].戏剧艺术,2006(4):92-99.
-
8田本相.香港戏剧散记[J].中国戏剧,1997,0(6):55-57.
-
9田本相.珠联璧合 交相生辉──看《风雨守衣箱》有感[J].中国戏剧,1998,0(9):56-57.
-
10李宏.锣鼓琴弦庆回归中国京剧艺术团赴港演出点滴[J].中国京剧,1997(4):3-4.