摘要
文明戏堕落后,中国人以西方戏剧为范本、将中国戏剧现代化的追求并未停止,陈大悲即是当中的一员。他倡导爱美剧,致力于建构不同于旧戏及文明戏的、具有新质的现代戏剧。但由于陈大悲文明戏积习过深,加之其他因素的局限,其剧作又不断地消解其建构的努力,呈现出尴尬的状态。
During the 1920’s,Chen da bei was one of the most important proponent in seeking Chinese modern drama.He reproached the degeneration of ancient drama,advocating to guide the society with dramas;meanwhile,he emphasized on the artistic characters of drama with the reference of western drama.But Chen da bei known little about them,his work was not very successful.
出处
《齐齐哈尔大学学报(哲学社会科学版)》
2005年第1期6-9,共4页
Journal of Qiqihar University(Philosophy & Social Science Edition)
关键词
陈大悲
建构
消解
Chen da bei
construction
deconstruction