《荷塘月色》意境构成与作品完满性质疑

Doubt on both the Mood Making and the Perfect about the Works“Moonlight over the Lotus Pond”

本文从文本内在构成角度分析了《荷塘月色》意境构成上的不完满性。主要表现为 :“江南采莲图”与《荷塘月色》所突出的“荷塘”地点、“月色”时间和“追求宁静、幽雅、能排谴烦恼”的主旨不相切 ,与“荷塘月色图”沉醉式的描写手法不一致 ,与“荷塘月色图”宁静、优雅格调相冲突。这种内在构成上的不完满性 ,表明《荷塘月色》只能算作优秀之作 ,还没有达到浑然一体、圆融透剔的境界。正因为此 ,才引起学界的争议与删节。

The thesis analyses the incompleteness of “Moonlight over the Lotus Pond”from the inner making of the text. There are three aspects: inappropriateness to the main purpose of pursuing the quiet, tranquil, without trouble between the “description of collecting lotus in Southern China”and the obvious scenery of the location of the “lotus pond”, the time of “moonlight”; inconformity to the intoxicate description style of the“moonlight picture of lotus pond”; conflict to the tranquil and elegant style of the“monnlight picture of lotus pond”. The incompleteness of the inner making appears that the prose“Moonlight over the Lotus Pond”is only a good work rather than reaching the world which is perfect. Therefore it arose some disputes and the way of cutting out in the academic field.