论唐代送别诗意象的高度情思化

On the Highly-Emotional Images of the Poems on Departure in the Tang Dynasty

中国古代诗歌史中的送别之作,从《诗经》的比兴托物,汉魏时的率真直抒到六朝的绘景写心,逐渐趋于成熟完美,到唐五代时达到了物我浑融,形神兼胜的境界。唐人送别诗意象的高度情思化包括三种情形:即情中景,景中情和情景的“妙合无垠”。这就使得送别诗的情感含量大大增加,艺术感染力明显增强,具有了超时空的审美价值。

This paper probes into the characteristics of poems on departure written in the Han, Wei Dynasties, the Six Dynasties, and the Tang Dynasty, revealing a process from the premature to the perfect. Further, it concludes the highly emotional images of the poems of the Tang Dynasty have three forms: feelings in scenes, scenes contained in affection, and perfect harmony between them, which endows departure poems with stronger emotional power and possesses the aesthetic value beyond time and space.