20世纪中国少数民族音乐研究的拓展(上)

On the Development of Researching Chinese Minority Music in 20th Century

本文是20世纪百年中国少数民族音乐研究成果学术总结的一部分。作者将此百年中国少数民族音乐研究分为世纪初至70年代的“创建期”和80年代初至世纪末的“拓展期”两个阶段。分别从学术背景、学理渊源、学术内容、学术价值、学术影响等方面进行归纳、梳理和评估。作者认为:20 世纪 80 年代初至世纪末的中国少数民族音乐研究,其学术重心一方面是继续完善和充实前期所奠定的基础资料诸存和音乐型态研究成果;一方面开始明确地向民族音乐学(音乐人类学)学科学理建设及相关社会科学学科学理吸收转换,从而再一次体现出更浓重的民族学、民俗学和社会学特色。作为最能体现民族音乐学学科特色的中国少数民族音乐研究领域,本期的拓展实质上是一种学科理论层面再次指向人类学学科的“螺旋式”回归。

The papers was one of academic study results of China minorities folk music in 20th century. The writer divided this period into two stages: the beginning one from the early of century to the 1970s, and the development one from 1980s to the end of 20th century. The writer sum up, organized and evaluated the achievement on the sides of academic background, doctrinal origin, academic content and value, as well as its influence. Therefore, the writer opined that the core of China minority music research had been continuously consummated and enriched the achievement of music modality research and stockpile of basic information, both of them established in earlier stage on the one hand. And meanwhile, it switched to national musicology, the ethnomusicology definitely on the other hand. It showed stronger features of ethnography, folklore, and sociology.