梅西安的多维准序列创作观——以钢琴作品《调式化的音值与音强》为例

On Olivier Messiaen Multi Serial Composition

1949—50年间,梅西安在一系列钢琴作品中试验了他的序列技法。梅西安的序列技法不同于以勋伯格为代表的十二音音乐,亦不同于施托克豪森等的整体序列音乐,文章用“多维准序列”加以界定并予以区别。作者选取著名的钢琴作品《调式化的音值与音强》,在作曲家本人分析的基础上,揭示梅西安的多维准序列技法,它是十二音音乐向整体序列音乐发展过程中的一种表现形式,也关键性地影响了整体序列音乐的发展方向。

Olivier Messiaen experiment his serial technique in a series of piano works during 1949~1950. The Serial technique Messiaen used were quite different from the Twelve Notes music that representative of Arnold Schoenberg, nor the same of Integral Serial by Karlheinz Stockhausen and he others. Therefore, the article used the Multi Quasi Serial to define and distinguish from the others. Chosen the well known piano work Mode de valeurs et d'intensites, and based on the composer's own analyses, the writer discussed Messiaen's multi quasi serial technique, and proposed that it was a kind of representative shape during the developing progress from Twelve-Note music to Integral Serialism one, it also influenced the developing direction of Integral Serialism Music.