摘要
Using the theory of dual opposites, the present paper studies archaeological data incombination with early man's thinking and ideas. From the angle of Shaman cosmogony, the thought ofdual opposites and their cultural concepts, its puts forward new interpretations on numerous commonly-seen designs, such as the depiction of a bird pecking a fish, tao-tie mask, hooked-cloud pattern, birddesign, human face design, and the depiction of the Royal lord of the East and the Royal lady of theWest. Furthermore, the author summarizes the three developmental stages of dual logic and the significance of the thought of dual opposites in primitive culture and prehistoric archaeology.
Using the theory of dual opposites, the present paper studies archaeological data in combination with early man's thinking and ideas. From the angle of Shaman cosmogony, the thought of dual opposites and their cultural concepts, its puts forward new interpretations on numerous common- ly-seen designs, such as the depiction of a bird pecking a fish, tao-tie mask, hooked-cloud pattern, bird design, human face design, and the depiction of the Royal lord of the East and the Royal lady of the West. Furthermore, the author summarizes the three developmental stages of dual logic and the signifi- cance of the thought of dual opposites in primitive culture and prehistoric archaeology.
出处
《考古》
CSSCI
北大核心
2001年第5期48-59,共12页
Archaeology
关键词
史前考古
原始文化
艺术形象
primitive culture
dualism
prehistoric archaeology
artistic figure
