摘要
在中国文化史上,自魏晋以降,伴随着知识阶层的人文觉醒,文人雅集活动可谓代不绝踪,著名的兰亭修禊姑且不论,其它如张彦远在《历代名画记》中提到其曾祖魏国公与司徒汧公“因其同僚,遂成久要,并列藩阃,齐居台衡,雅会襟灵,琴书相得,汧公博古多艺,穷精蓄奇,魏晋名踪,盈于箧笥,许询、逸少,经年共赏山泉,谢傅、戴逵,终日惟论琴书”,至后“更叙能旧,遂契记忘言,远同庄惠之交,近得苟陈之会……约与记客,皆高谢荣宦,琴尊自乐,终日陶然,士流望莫及也。”
Learned Gathering in the Western Garden °Φis said to bepainted by Ligong Ling, which describes a picture dwelled uponby the people with great relish: a number of famous literati andpaintes,such as Su Shi,Mi Fu, Huangting Jian and Ligong Ling,assembled in the house of emporor's son-in-law, who madepoetry, painting, handwriting, speaking and playing the musi-cal instrument at free. It becomes a traditional topic of paintingfor the artists in the successive dynasties with great influence.The author make a rather deep analysis to this cultural phe-nomena in the angle of sociology.
出处
《东南文化》
2001年第8期34-39,共6页
Southeast Culture