摘要
作为第七艺术的电影在对空间的扩展和表现上具有其他艺术形式无法比拟的优越性。同时 ,对空间的处理也构成了电影独特的审美风格。电影空间不是静态的背景 ,而是与人物相结合的动态表现元素 ;它不是客观现实的机械再现 ,而是经过观念整合的主观空间 ;它拓展了现实空间 ,大大增强了艺术的表现力 ;它是时间化的空间 ;数码技术“合成”的虚拟空间 ,提出了一种全新的电影假定性。
Compared with other arts,the film as the seventh art excels in expanding and expressing the space. At the same time, dealing with the space forms its distinctive aesthetic style. This thesis studies the features and aesthetic efforts of the space of film in five aspects. First, it is not static background, but dynamic element of expression combining with characters. Second, it is not mechanical representation of objective reality, but subjective space integrated by ideas. Third, it expands the real space and greatly enhances artistic expression. Fourth, it is expressed by successive time. Last, the fictitious space combined by digital technique puts forward a new hypothesis of the film.
出处
《广东教育学院学报》
2001年第4期59-62,共4页
Journal of Guangdong Education Institute