摘要
自《诗经》以来到两汉魏晋南北朝 ,咏月诗歌大多是游子怨妇主题 ,李白的咏月诗扩展了传统咏月诗的表现主题 ,把它引向了关注实现人生 ,使托意怀人的思想主题成为咏月诗的主流。宋代苏轼继承发展了李白的这一特点。然而 ,李白、苏轼在咏月诗的艺术风格和审美理想方面具有鲜明的时代特点和独特个性。本文试图在历史的坐标上对他们咏月诗歌的风格、主题以及透过咏月诗歌所折射的诗人的内心世界等方面进行比较探究 。
In the two Chinese Wai Jin and the Northern and Southern Dynasties since “the Book of Songs', it is mostly that aliens blame woman's theme to chant moon poems, the chanting of the moon poem by Li Bai expanded the behavior theme that the tradition chants the moon poem,guided it into and paid close attention to the fulfilment of life. Su Shi successvelp develop the characteristic of Li Bais Song Dynasty. To cherish thought theme of the people is the trend of chanting the moon mainstream of the poem. However, Li Bai, Su Shi have a distinct era characteristic in chanting the artistic style of the moon poem and aesthetic and ideals. This text attempts to chant the style of the moon poem in coordinating the history, such as the theme and poet that reflects through the chanting of the moon poem's in the inner world, etc. are relatively probed into, and detect two great poets' aesthetic ideal and philosophy of life from this.
出处
《惠州学院学报》
2005年第1期57-61,共5页
Journal of Huizhou University
关键词
李白
苏轼
托意怀人
率真直爽
理性内省
酒神精神
禅悟
Li Bai
Su shi
Conging for the departed people, straight, sincere and frank, Rational introspection, The supernatural spirit of wine, Buddhist studies