论林风眠戏曲题材绘画中东方符号运用的流变

Applications Of Oriental Signals in Lin Feng-mian’s Traditional Opera Paintings

本文试通过观察东方符号在林风眠不同时期的戏曲题材绘画中的变化来分析林风眠在“调和中西”的探索过程中对形式语言的突破和其东方艺术的回归。

Analysing the oriental signals in Lin Feng-mian’s traditional opera paintings in different periods, the text shows how Lin formed his own style and returned to the oriental spirit in his art explorational progress.