摘要
亚里士多德的文艺“模仿”说与效果“净化 /陶冶”说 ,体现出对接受主体的高度重视 ,这是源于其哲学伦理学的“施授美学”观念 ,表明创作主体控制话语权力的企图。
Aristotle's doctrines of literary 'imitation' and effective 'purifyingness/ edifyingness' pay great attention to the receivers. This, showing the giver's intention of controlling the utterance, originated from Aristotle's giving-receiving aesthetics of moral philosophy.
出处
《楚雄师范学院学报》
2004年第1期81-84,共4页
Journal of Chuxiong Normal University
关键词
模仿
净化/陶冶
话语霸权
受众
imitation
purifyingness/ edifyingness
discourse supremacy
audience
