摘要
本文致力于从三个方面讨论中国现代诗化戏剧语言的抒情性 :处于对话机制内的抒情主人公 ;语言的诗化处理 ;话剧加唱。
This paper seeks to describe the lyrical tendency of Chinese modern drama as are evinced in the romanticism of characterization, sentimentalism of the language style, and frequent use of songs in stage action.
出处
《戏剧(中央戏剧学院学报)》
CSSCI
北大核心
2004年第4期5-13,共9页
Drama:The Journal of the Central Academy of Drama