明清戏曲作品中才子形象成因初探

The Bel-esprit Character Type in the Ming and Qing Drama

明清戏曲作品中才子形象的塑造呈现出了几大特点 :女性化、才学的被极度夸张和痴情。这些特点的出现既是与中国美学传统和作者的心态密不可分的 ,同时也是在当时才子佳人小说和观众的审美口味影响下形成的。

This paper seeks to explore the characteristics of the image of Bel-esprit in the dramatic works of the Ming and Qing dynasties. It proposes that these are effeminization, exaggerated talents and infatuation. They are deeply rooted in Chinese aesthetic tradition, the authors' predilections, as well as the prevalent and popular taste for romance fiction of the time.