万比洛夫的“日常性”与二度创作中的写实象征——《去年夏天在丘里木斯克》的导演创作课题

The Quotidian in Vampilov and Realistic Symbolism in Stage Interpretation: Notes on 2000 Directing Class's Rehearsal of Last Summer in Chulimsk

万比洛夫戏剧有着明显的契诃夫戏剧的“日常性”特点 ,其中最接近契诃夫风格的是《去年夏天在丘里木斯克》。凝练演出的“形象种子”是导演构思的重要内容。“形象种子”是一个包含哲理内涵的内心形象 ,它生发演出这棵“大树”。万比洛夫的“写实”具有契诃夫式的象征意味。演出创作中大量写实手法的运用 ,其目的是要达到“象征”的高度。

A. Vampilov's dramatic works bear the distinct Chekhovian quotidian mark. The opus most Chekhovian in style is Last Summer in Chulimsk. However, Vampilov's quotidian realism is impregnated also with the symbolism associated with Chekhov. The paper records the process in which the 2000 directing class's graduation production of the work attempted to attain this degree of symbolism by means of attending to the details of quotidian realism.