摘要
本文通过对文本的编辑 ,文献目录对作品的分类收录以及古代文论对文体的分类评述等三方面考察 ,认为赋学与楚辞学自南朝萧梁时期开始分离 ,各自朝不同方向发展。同时 ,又通过分析楚辞学对骚赋的看法及赋学的“祖骚宗汉”说 ,认定二学虽分开而并未完全分离 ,其间自有相关的连结。因此赋学与楚辞学是既有区别又联系紧密的两门学问 。
By investigating the following three aspects-the compilation of the text,the classified records of the documentary catalogue and the classified commentary of the ancient Chinese literature theory,I draw a conclusion that the Rhyme Prose and the Songs of the South State had started to disintegrate and develop toward different directions since the Nanbei Dynasty.At the same time,by the research of the views of Saofu in the Songs of the South State and the versions of “Lisao and Hanfu as the Forefathers” in the Rhyme Prose,I firmly hold the view that the two sabgects have disintegrated but not absoluely.So there are not only differences between the Rhyme Prose and the Songs of the South State,but close connections as well.They are two essential parts to the history of Chinese literature criticism.
出处
《江西师范大学学报(哲学社会科学版)》
2004年第6期41-46,共6页
Journal of Jiangxi Normal University(Philosophy and Social Sciences Edition)
关键词
赋学
楚辞学
骚赋
“祖骚宗汉”
Rhyme Prose
Songs of the South State
Saofu
Lisao and Hanfu as the Forefathers