摘要
后世论象山 ,多注重其哲学和教育思想 ,而对他的诗歌、散文创作关注较少。其实 ,象山精通文学。象山主张诗文从心里流出 ,作文须领会本心 ,提倡自由创作。象山的诗歌工于用典 ,多绘景精细之作。象山的散文析理精微 ,善于从细微处提炼出哲理 ,在宋乾道、淳熙年间文坛足具代表性。象山先生诗文自具风格 ,足成一家 。
Future generations discuss Xiangshan,Paying more attention to its philosophy and education thought,than his verse and prose artistry.In fact, Xiangshan had a good command of literature.Xiangshan insisted that verse and prose run off from the mind,and undertand his own mind while composing,and promoted free artistry.The verse work of Xiangshan is used as the literary reference.there are lots of fine verse which draw wonderful landscape.The prose analysis of Xiangshan was deeply,and he was good at refining philosophy from the small place,his verse and prose were representative in the Songqiandao,Chunxi year.And They had a style of his own,deserving to be laid stress on and researched.
出处
《江西师范大学学报(哲学社会科学版)》
2004年第6期47-51,共5页
Journal of Jiangxi Normal University(Philosophy and Social Sciences Edition)
关键词
陆九渊
诗文
心学
风格
Lu Jiu Yuan
verse and prose
heart learning
style