“新感觉派”的狐步舞:现代小说创作中的“意识流”最初尝试

New Sensibility"'S Fox Trot:A Maiden Attempt on "Stream of Consciousness" in the Creation of Modern Novel

在文学“意识流”最初尝试的问题上 ,中国“新感觉派”的“狐步舞” ,从接受心态来说 ,“跳”得既时兴又焦灼 ;从接受实践来讲 ,似乎“把根留住”的情况要多一些。不过 ,总体的实际运作水准参差不齐 ,模仿的痕迹不同程度地依然存在 ,尽管如此 ,他们的最初尝试毕竟是当时历史产物下具有先锋性质的一次艺术实验 ,所以无可避免地要有相当的稚嫩性付出。要不然 ,哪有往后中国文学繁荣兴盛和中外文学关系健康发展之收获的喜悦呢 ?!

In view of a maiden attempt on 'stream of consciousness' in literature, the Chinese 'New Sensibility''s fox trot 'moved' in a both fashionable and worried way as for their receptive mentality and seemed to keep more in the Chinese literature tradition as for their receptive practice. However, a level of their practical operation on the whole was uneven and their imitational signs still existed in different degrees. Despite all that their maiden attempt after all was an experiment in art connected with its pioneering character at that time, thus it had to give unavoidably of their quite childish costs. Otherwise how would there be our joyousness at the follow-up results from the Chinese literature in prosperity and the literature relations between China and foreign countries in healthiness?