有自己作为的“接受史”——《接受的复调——中国巴赫金接受史研究》在接受史研究上的意义

A Reception History with its Own Ambition──On the Significance of A Polyphony of Reception-A History of Reception of Bakhtin in China in the Study of Reception Histories

虽然现代中国的文学学科的建立 ,其理论基石基本上依赖于对域外理论的接受 ,但有关域外文论的中国接受史研究 ,在《接受的复调———中国巴赫金接受史研究》问世之前 ,基本上还未受到重视。该著不把“知识”创新的根基落在新观念、新方法、新视野之上 ,而是让“知识”回归到“问题”的求解这一原始的根本上来 ,以及它总是自觉地对自己所从事的研究从研究方法上进行考量 ,从而在展露出新颖的研究领地的时候 ,还创造性地提出了一套有关接受史的独到的研究概念与方法的体系 ,这在中国的接受史研究的一定的范围或一定的意义上 ,可以说是具有范式开创意味的。

Though the theoretical basis of the establishment of the academic disciplines in literature in China is basically dependent upon the reception of overseas theories, the study on the reception history of foreign literary theories in China has not essentially been given an important position before A Polyphony of Reception-A History of Reception of Bakhtin in China was published. The book does not put the focus of 'knowledge' innovation on new conceptions, methods or perspectives, but on seeking questions which give rise to 'knowledge' as well as on pondering over its own research methods. As a result, it displays a brand-new field of inquiry, and creates a unique set of concepts and a system of methods on studying reception histories, which, in some scope or sense, can be regarded as an original work to create paradigms in China's study on reception histories.