摘要
文章在介绍诺曼·福斯特创作的同时,对"高技派"及中国建筑创作的方向等问题提出自己的见解,通过对福斯特的作品内涵、形式以及设计思想和相关言论的探讨,将福斯特的设计理念引申到社会、文化、生态学,甚至未来的方方面面。把福斯特仅仅理解成是在高技术领域的倡导者是不够的,在诺曼·福斯特这一代大师手里,更新、更高的技术就成为一种手段,一种更为先进的新观念,通过它们去创造和实现人类与自然和谐的生活环境,由此认为中国建筑师应开阔思路,吸取各种有益的经验。
This article not only introduces the produces of Norman Foster's, but also puts forward his own opinions about the school of High-Tech and the direction of Chinese architecture creation. Through the work content of Foster, form, design thought and the study of the related speech, the design principle of Foster is led to the society, culture, ecology, even every fields in future. Regarding Foster only as initiate in the high technique realm is limited, with this generation master's hand of Foster, renewing, higher technique become a kind of means, a kind of more advanced new ideas, through which the harmonious living environment between mankind and nature can be created and achieved. In this way, Chinese architectures should widen thought and extract all kind of beneficial experience .
出处
《合肥工业大学学报(社会科学版)》
2005年第1期85-88,共4页
Journal of Hefei University of Technology(Social Sciences)
关键词
高技派
诺曼·福斯特
释义
适用技术
责任
School of High-Tech
Norman Foster
paraphrase
applicable technique
duty