摘要
80年代后期当代小说的女性意识的流变有一条清晰的脉络。王安忆、铁凝;林白、陈染;卫慧、棉棉这六位具有代表意义的女性作家,其作品的女性意识表现出动态延续性。王安忆、铁凝告别爱情"乌托邦",为女性性别指认呐喊;林白、陈染开启另一扇门,在心灵停泊处与男人从容对视;卫慧、棉棉作为后现代语境下的"另类",则回落为男权文化的献祭品。
There is a clear clue of the development of 'feminine consciousness'in the contemporary novels from the late 1980s.The feminine consciousness of the six typical writers who are WangAnYi, TieNing; LinBai, ChenRan; WeiHui , Mian Mian , experiences the trendcy of continuity. WangAnYi, TieNing say good - bye to the love Utopia and sum up the return of female identity equality ; LinBai, ChenRan use the other way to resist the masculine at the home of spirit; WeiHui, MianMian, who are regarded as the additional category of postmodernism context, fall into the prey of masculine.
出处
《河北建筑科技学院学报(社会科学版)》
2004年第4期59-61,共3页
Journal of Hebei Institute of Architectural Science & Technology(Social Science Edition)
关键词
女性意识
女性主义
后现代主义
流变
feminine consciousness
feminism
postmodernsim
changing