论布达佩斯学派的重构美学思想

On Budapest School's Reconstructing Aesthetics

作为一支东欧的马克思主义流派 ,布达佩斯学派形成于 2 0世纪 6 0年代。它提出了激进美学的主张。激进美学就是重构美学 ,要重构首先要解构 ;要解构就要回到现代美学诞生的根基。本文立足于赫勒与费赫的代表性论文“美学的必要性与不可改革性” ,首先论述他们对现代美学学科诞生的必要性的分析 ,然后从哲学美学与归纳艺术批评两方面阐发他们解构现代美学的思路 ,最后评述他们提出的重构美学思想 ,指出它对当前美学研究的意义。

Budapest School, which appeared in the 1960s as one of Eastern European Marxist schools, advances the claims of radical aesthetics, or rather, reconstructing aesthetics. That means that reconstruction presupposes deconstruction and that deconstruction requires a return to things' genesis. This article takes Ferenc Fehér and Agnes Heller's essay ″The Necessity and Irreformability of Aesthetics″as an object of study. It firstly discusses their analysis of the necessity of origin of aesthetics as a discipline, then interprets their deconstruction of modern aesthetics. Finally, it makes an evaluation of their reconstructing aesthetics, pointing out its significance to contemporary studies of aesthetics.