摘要
作为 1 9世纪末 2 0世纪初的重要作家 ,弗兰克·诺里斯从反思 1 9世纪美国小说为出发点 ,从小说的内容和形式两个方面倡导小说批评理论化 ,并由此提出了美国小说家们应该创作“伟大美国小说”的口号。本文以阐述诺里斯的小说观为主 ,说明小说批评理论化、小说创作本土化两种呼声在 2 0世纪初美国文坛的文化含义。如果说对于小说批评理论化的呼唤代表了西方 2 0世纪小说批评的普遍声音 ,那么 ,对于“伟大美国小说”的渴望则反映了小说艺术本身蕴涵的民族文化意识。
s: Frank Norris, as one important writer at the transitional period, strongly advocates that American writers should work to form ″great American novel″. To exemplify such a deep concern, he reflects upon various possibilities of such a construction. By analyzing Norris' ideas on novel theory and ″great American novel″, the paper explores how such a theoretical concern is intimately related to the historical and the political, which recalls our memory of the old debate between national literature and world literature.
出处
《外国文学研究》
CSSCI
北大核心
2004年第2期37-42,共6页
Foreign Literature Studies