摘要
本文通过对《补锅匠的婚礼》的分析 ,揭示了爱尔兰喜剧大师辛格作品中狂欢文化的因子 :他将圣洁的神甫和卑下的补锅匠这两种在爱尔兰文化中最两极性的人物放在同一平面上 ,透过他们令人发笑的亲密接触和更新交替 ,表现了隐含在粗俗与崇高、低下与伟大的两极中的颠覆性的变数 ,并歌颂了这种变更中所包含的鲜活的生命力。
This paper intends to give an analysis of the carnival elements in Synges comedies with The Tinkers Wedding as a case study. By putting the two extremes of people(the holy priest and the humblest tinkers)in the Irish culture on the same plane, and through their carnival-like contact and exchange of roles, Synge shows the possibility of subversion of the relationships between the vulgar and the sublime, the humble and the great. From this possibility Synge sees signs of vitality lying in the transformations.
出处
《外国文学研究》
CSSCI
北大核心
2004年第1期50-54,共5页
Foreign Literature Studies
