摘要
亚历山大·蒲柏在《夺发记》中塑造的贝琳达这一人物形象一直是 1 8世纪英国文学评论家的研究焦点。本文揭示了贝琳达所处的两个不同世界 ,即神化了的自我主宰的世界和他者化了的真实世界 ,指出了她对两者的矛盾态度 ,并分析了贝琳达最终没能将自我融入他者的原因。
Belinda in Alexander Popes The Rape of the Lock has always been of much critical interest to critics of the 18th century English literature. The present essay demonstrates Belinda as torn between two worlds, namely, the artificial world where the Self is deified and the real world which is defined as the Other. The essay investigates the reasons why Belinda fails to merge her Self into the Other.
出处
《外国文学研究》
CSSCI
北大核心
2004年第1期66-70,共5页
Foreign Literature Studies
