论梅鼎祚的戏曲观

The Views of Ding Zuo-Mei's Opera

梅鼎祚是晚明颇有影响的戏曲家,其剧作风靡万历剧坛,本文主要从他的剧作和一些序、文中梳理、探讨他进步的戏曲观:他热衷于戏曲交流与传播,重视戏曲交流;开导“主情”之风,提出“曲本诸情”的观点;并指出他的戏曲风格呈现动态的变化,转变骈绮风格,推动“辞”、“律”并进的风格。

Ding zuo-Mei is an influential writer for traditional opera and is well-known to the theatrical circles in the Wanli age. This text is to search for and inquire into his advanced views according to his works, prefaces and writings. The views are that he is keen on and attaches importance to exchanging and propagating operas, that he gives guidance to dominant sentiment in operas and produces opera steming from sentiment, and that his views are changing and he changes the style of gorgeoousment into the one of developing simultaneously diction and law.