摘要
李渔从 一夫不笑是吾忧 的商业化戏曲创作宗旨出发 ,凭着自己独具的才情与深厚的戏曲艺术经验 ,在编导演各环节均提出了一系列深得 优人搬弄之三昧 的真知灼见 ,他的论述不仅道出了常人所未能道 ,而且探讨了在商业化环境中戏曲如何赢得观众、如何生存这一重大问题 ,这在今天市场经济条件下仍有重要的借鉴意义 .
Depending his special brilliance and talent and his profound article experience, commenced from the commercial pursuit in the theatrical creation of what I would worry unless every one smiles, Liyu put forward a series of correct and penetrating views that had accumulated from the actor's perform in playing, directing, performing, etc. His comment not only spoke that other one couldn't speak but also discussed the important problem that how to obtain audience and how to exist under commercial circumstances. Liyu's comment is still an important reference in the condition of market economy nowadays.
出处
《艺术百家》
北大核心
2001年第3期18-23,共6页
Hundred Schools In Arts
关键词
李渔
戏曲理论
创作宗旨
商业化追求
Liyu
theatrical theory
creating purpose
commercial pursuit