摘要
汤显祖在 宜黄县戏神清源师庙记 中首创性地提及戏曲的表演理论 ,倡导以情演情 ,对演员的修养和表演艺术的最高境界表述了独特的见解 ,其戏曲美学思想直接影响了潘之恒、袁于令和李渔 .
Tang Xianzu initially mentioned the performance theory of Traditional Chinese Operas in 《Yi Huang Xian Xi Shen Qing Yuan Shi Miao Ji》. He advocated performing a sense of emotional truth, expressed his unique ideas on the training of actors and the top-flight performance art. His dramatic aesthetics directly affected Pan Zhiheng, Yuan Yuling, and Lee Yu.
出处
《艺术百家》
北大核心
2001年第3期24-27,120,共5页
Hundred Schools In Arts
关键词
汤显祖
以情演情
修容修声
表演艺术
最高境界
Tang Xianzu
perform a sense of emotional truth
train voice and body
performance art
top-flight performance
