工细谨严蕴气象万千——对董其昌关于院画批评的辨析

Neatness Meticulousness Strictness Compactness Implicitness——On Dong Qichang's criticism of the Academic School of Traditional Chinese Painting

在中国美术史上 ,“院画”的出现是艺术发展到一定历史阶段而出现的一种绘画现象 ,院画的出现既是当时绘画艺术成就的集中体现 ,也对其后中国绘画有着深远而积极的影响。但对院画艺术的批评也会因为历史文化背景和艺术风格流派的差别而出现偏见。

As an inevitable phenomenon in a certain historical stage of art development, the Academic School of Traditional Chinese Painting finally turned up itself in Chinese art history. The emergence of the Academic School of Traditional Chinese Painting not only embodies a concentrated reflection of the artistic achievement at that time but has a positive and far-reaching influence on the later Chinese painting. However, there exist prejudices in the criticism of the Academic School of Traditional Chinese Painting because of the gap of historical and cultural background as well as the gap of artistic style and school.