摘要
以佳木斯大学校门和松花湖风景区大门为例,探讨了设计过程中分析宏观、中观、微观三个层次的重要性,试图寻找出不同背景下的创作思路,以避免混乱。
Taking the two gates as examples, this article explores the importance of analyses at three levels in design process, and tries to find out the creation ways under different undergrounds, in order to avoiding confusions.
出处
《华中建筑》
2003年第1期44-46,共3页
Huazhong Architecture