摘要
以(?)文彦之作品SPIRAL为 分析对象,在立体主义艺术视野中, 探讨了与绘画革新理念相关的建筑 学理论。
With SPIRAL the work of Fumihiko Maki, as analytical object, this article expounds the theory of architecture related to the innovation of painting in the vision of cubist art.
出处
《华中建筑》
2003年第1期51-53,共3页
Huazhong Architecture