摘要
明朝书法在不同时期呈现出不同的趋势和审美取向,它前期的平庸,中期的进步,后期的勃发,它由衰而 盛,在明末风云际会的时代背景里取得令人“尴尬”的辉煌。
The art of calligraphy in Ming Dynasty presents different trends and orientation of aesthetic judgment--being mediocre in the early period, making progress in the middle period and beng thriving in the late days of Ming Dynasty, which has experienced from decline to rise and made embarrassing and even unexpected achievements in this changeable situation in the late days of Ming dynasty.
出处
《安徽工业大学学报（社会科学版）》
2003年第1期52-54,共3页
Journal of Anhui University of Technology：Social Sciences
关键词
明朝
书法艺术
复古主义
吴门书派
浪漫主义
Ming dynasty
calligraphy
the doctrine of 'back to the ancient'
the Wumen school of Calligraphy
romanticism
