摘要
塞尚和贾克梅蒂生活在两个完全不同的时空里 ,却同样被置身于西方艺术变革的激流中 ,因而在审美体验中遭遇了同样的孤独和困惑。他们都不满足于凭借前人的视觉经验观察物象 ,认为艺术家的审美过程更多的是一种个体的感性视觉体验 ,而不仅仅是一段理性的思维过程。从精神的追求、观察的方式和语言的表现三个方面看 ,塞尚和贾克梅蒂在审美体验中有着相似的方式和过程以及某种意义上的传承关系和微妙的差异。
Cézanne and Giacometti, who lived in different ages and in different countries, had dedicated themselves to the same artistic innovation field. However, they shared the same personal feelings of loneliness and frustrations, dissatisfied with the previously accepted understanding of the visual world in fine arts. They both held the belief that the aesthetic process is more a personal visual experience than merely a reasoning process. The paper elaborates the similarities, the links as well as the slight differences on their aesthetic experience from the aspects of the pursuit of spirit, the observing method and the linguistic manifestation.
出处
《浙江艺术职业学院学报》
2004年第4期97-100,共4页
Journal of Zhejiang Vocational Academy of Art