摘要
中国文学以“五四”后的新文学与传统文学相对应 ,分为新旧两个阶段 ,这一界说已被文学史家所共识。作为两种文学的文质分野 ,是以传统文学“道学”的消泯和“五四”新文学“人学”的建构为视界 ;而“人学”的人本和文本两个层面所达到的审美高度 ,构成了“五四”文学的新质。
Chinese literature can be divided into two periods: the new literature after May 4th Movement and the traditional literature, which is commonly viewed by the literary circles. The traditional literature's disappearance and the new literature's rising up served as a dividing line. The new literature after May 4th Movement was based upon its aesthetic standards
关键词
传统文学
新文学
道学
人学
文质
分野
Traditional Literature
New Literature
Neo Confucianism
People oriented Literature
Text oriented Literature
Dividing Line