摘要
本文认为,蒋孔阳的美学思想以马克思主义实践论为基础,通过对审美关系的深入全面的研究,为提升审美创造的水平提供理论说明,是关于审美创造的美学理论。蒋孔阳的美的创造这一命题,主要是通过对艺术创作经验的总结而形成的,在当代语境中具有充分的对话交流功能。
This article argues that the aesthetic thought of Jiang Kongyang is based on the Marxism practice, by means of thorough and complete research on relations, and provids us a theoretic illustration to upgrade the level of art creativity. So it is an aesthetic theory concerning art creativity. Jiang Kongyang’s proposition on art creativity is mainly summarized from the experience of art crea- tion. It has ample functions in dialogism intercourse in contemporary context.
出处
《南京理工大学学报(社会科学版)》
2005年第1期29-32,共4页
Journal of Nanjing University of Science and Technology:Social Sciences
关键词
蒋孔阳
美的创造
艺术经验
Jiang Kongyang
art creativity
art experience