摘要
有“哀情巨子”之称的南社作家徐枕亚,在“五四”以后被认为是“鸳鸯蝴蝶派”始基。以其身世为原型的开山作《玉梨魂》是南社文学创作中的代表性作品,以独异的体裁形式与语言结构呈现新旧交替的特点,辉映出近代文学的余彩。作品无论是形表外衣还是精神内核,均深钤社会转型期的真切印记,反映出那个时代人性与情爱的问题。把握影响徐枕亚创作思想的舛错恋情,有助于解析近代文学一大阵营——“鸳鸯蝴蝶派”最初发生的动因。
After the May 4th movement, Xu Zhenya (1889-1937), a romantic tragedy master, was acknowledged as an initiator of “Mandarin Duck and Butterfly”literature school. Based on his own story, one of his works, “Yu Li Hun”(Soul of Jade Pear), was the first bell ringed for the new style. Its typical style and language structure reflect the evolution of times and the splendor of Chinese modern literature.
出处
《南京理工大学学报(社会科学版)》
2005年第1期87-96,共10页
Journal of Nanjing University of Science and Technology:Social Sciences
关键词
南社
徐枕亚
玉梨魂
新旧冲突
舛错婚恋
鸳鸯蝴蝶派
the South School
Xu Zhenya
Soul of Jade Pear
The Conflict of the New and the Old
unblissful love adventure and marriage
Mandarin Duck and Butterfly School