黑格尔的美学范畴体系(下)

System of Hegel's Aesthetics Category

黑格尔在客观唯心主义的一元论基础上,把美学的各种主要范畴按照历史与逻辑相统一的原则组织成为了一个完整的体系。他以"美是理念的感性显现"为中心,把美和艺术的发展设计为一个内在包含的对立面的矛盾所形成的否定之否定(扬弃)的过程。因此,在他那里,最一般的美学范畴美、崇高、悲剧性、喜剧性、丑等等是相互关联和矛盾转化的有机整体,而且与艺术的具体历史发展的阶段和形式相联系和相对应,形成了一个自在而自为的发展圆圈。这个美学范畴体系,不仅是德国古典美学范畴的集大成,而且也达到了近代西方美学的高峰。

Based on the monism of external idealism,Hegel organized aesthetics categories to be an integrated system according to the principle of unifying the history and logic.Centered on the viewpoint 'beauty is the sensible appearing of idea',Hegel designed the development of beauty and art to be a process of negate of negate (develop the useful and discard the useless) that is about antinomy between contraries.So from the point of view of Hegel,the most generally aesthetics categories such as beauty,sublime,tragedy and comedy were an organic integer of antinomies that associated and translated each other,and associated or corresponded to moments and forms of art's histories development,formed a developmental cycle that is thing-in-itself and thing-for-itself.The category is not only the crest of Germany classic aesthetics category,but also the crest of western neoteric aesthetics.