摘要
《母狼》作为罗马历史象征的青铜雕塑 ,是罗马城的城徽 ;《马踏飞燕》是中国汉代青铜雕塑的一朵奇葩 ,现为我国的旅游标志。两件作品不单纯停留在对动物外形的摹写上 ,而是注重捕捉其内在情态 ,通过神性化处理 ,寄托着人的情感和理念 ,达到人性化的目的。前者是伊特拉里亚民族精神的承载 ,后者是汉民族勇迈气概的象征。这类闪耀着人性美的动物雕塑 ,成为雕塑艺术的重要部分。
Female wolf” is the emblem of Rome City, a bronze carving as the token of the Roman history. “Horse Stepping on Flying Swallow” was a wonderful masterpiece of the bronze sculptures in Han Dynasty,China, now is a tour sign of our country. The two works describe the outer figures of the animals ,and pay much more attention to seizing their internal mood. The works are placed emotion and ideal of the people on by deification,and come to (the purpose of )humanization. The former is the expression of the spirit of Roman Nation,and the latter the token of the courage,pride and confidence of Chinese Nations. These animal sculpures which radiate with human beauty become the important part of carving art.
出处
《鄂州大学学报》
2003年第3期47-49,共3页
Journal of Ezhou University