摘要
癸未仲春,“上博”(上海博物馆)圆梦。流散海外逾半世纪、保存东晋“书圣”王羲之等“下真迹一等”书翰从帖始祖——北宋祖版《淳化阁帖》最善本奉安回归。国人闻讯,无不为之雀跃振奋。因斯帖系当年自上海“下”“海”流失域外,故今得璧还,堪称适得其所,真正“海”归。而欣赏剧迹重宝,品鉴藏家钤印,探究递藏源流,不难发现历史上《淳化阁帖》最善本其实迭下申江,为在沪大书法家、大鉴藏家或寓目或珍藏或挟宝浮海,最终被“众里寻‘她’千百度”的“上博人”斥巨资白海外征集。归去来兮,据此足见宝帖跟上海有缘;而那些藏印见诸《淳化阁帖》最善本间海上大鉴藏家们的百年鉴藏经历愈加耐人寻味。
The best copy of 'Cunhua Pavilion Model Calligraphy' returned to Shanghai from abroad some in the spring and summer this year. The Shanghai Museum safe-kept the copy.The model copy has been closely associated with collectors in Shanghai over the past century.It has been in the hands of Li Bosun, Zhou Xiangyun and Jiang Zuyi. It was also a life-long concern of Curator Xu Senyu of the Shanghai Museum,who wanted to put it in the state museum before his death.But his dream had not been realized til the beginning of the 21 st century.
出处
《收藏家》
北大核心
2003年第12期8-14,共7页
Collector