摘要
近三十几个剧种拥有同一个板式——— [滚白 ],引起笔者兴趣。它与古老的弋阳腔、青阳腔之 [滚白 ],[滚唱 ]是否同源 ?[滚白 ]的音乐本体具有哪些特征 ?[滚白 ]常在什么场景、什么角色运用 ?[滚白 ]的艺术表现意义和美感价值如何 ?笔者对此作了分析研究。
The author is attracted by the phenomenon that more than thirty genres of traditional Chinese opera have a common tempo, gunbai, rhythmical spoken lines in an opera. Does it have the same origin as gunbai and gunchang(rhythmical singing part of a Chinese opera) of ancient Yiyang tone and Qingyang tone? What features do musical noumenon of gunbai embrace? What kind of scene and role may use gunbai? What is gunbai's artistic presentation significance and aesthetic value? Bearing these questions in mind, the author makes an analytic study of gunbai.
出处
《浙江艺术职业学院学报》
2003年第3期56-60,共5页
Journal of Zhejiang Vocational Academy of Art
关键词
滚白
滚唱
滚调
地方戏
中国戏曲
gunbai,rhythmical spoken lines in an opera
gunchang, rhythmical singing part of a Chinese opera
gundiao,rhythmical verse that includes gunbai and gunchang