摘要
本文从“碎片”与“完整”两个角度分析拼贴式电影叙事。前者指明了这一系列电影通过“交叉的叙述”、“分立的时空”、“失线的人物”对传统电影叙事的颠覆 ;后者则表征了表面颠覆的深度内涵 ,一个碎片折射了一个世界。
This article analyses the together-scraped films from two angles of “fragment” and “integration”.The former shows the subversion to the traditional ways of narration by crossing the narration, breaking up the time and space and doing away with the character's clue.The latter reveals the deep connotation beneath the subversive appearance.One fragment indicates one world.
出处
《浙江艺术职业学院学报》
2003年第3期114-118,共5页
Journal of Zhejiang Vocational Academy of Art