摘要
中国山水画传统的自然观既与天人合一相应,又与笔墨表现相承接。一个发展的自然观下,山水画的未来必然是多元化发展。
The outlook on nature of traditional Chinese landscape painting works in concert with the combination of nature and humanity and continues from the expression of stroke. The due future of landscape patinting under a developing outlook on nature is pluralism.
出处
《浙江艺术职业学院学报》
2003年第4期97-106,共10页
Journal of Zhejiang Vocational Academy of Art
关键词
自然观
中国
山水画
天人合一
多元化发展
outlook on nature
the combination of nature and humanity
landscape painting
plural development
