摘要
20世纪末的中国,现代艺术日益成熟。该丛书的编撰,提示着现代艺术潮流呈现出本土化的思维途径,也为现代书法的实践者们留下了实实在在的智慧痕迹。当代书法以一种探查的状态,从“书法”既定概念中突围,并走向现代艺术的范畴。
In the late 20th century, China's modem art had approached maturity. The series not only indicate a thinking way of nationalization in modern art trends, but also serve as the intellectual evidence of modern calligraphers. Modern calligraphy attempts to break through the established concept of 'calligraphy' and goes to the field of modern art.
出处
《浙江艺术职业学院学报》
2003年第4期107-109,共3页
Journal of Zhejiang Vocational Academy of Art